Play Along Piano

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SDG

God so loved the world, John Stainer, from the Crucifixion. John 3:16.

SDG

4:00	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

O holy night, the stars are brightly shining, Cantique de Noel.

SDG

4:01	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

O holy night the stars are brightly shining, cantique de noël. Christmas.

SDG

4:01	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	5	3	6	100%
T B		15	6	2	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	5	3	6	100%
T B		15	6	2	6	100%

Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).

SDG

4:30	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	3	6	100%
Contrabass	20	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	3	6	100%
Contrabass	20	1	5	100%
Flute	19	4	5	100%
S A	19	4	5	100%
T B	25	4	6	100%

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
Tenor I	14	0	2	7	95%
Soprano II	14	0	2	8	93%
Tenor II	12	0	2	9	93%
Bass I	12	0	1	9	91%
Soprano I	15	0	2	9	91%
Bass II	14	1	1	8	89%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Panis Angelicus, César Franck.

SDG

3:39	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	20	6	6	6	100%
Pedal	18	0	6	6	92%
Organ	12	6	3	5	80%
Harp	21	39	5	2	60%
	35	41	10	2	68%
Voice	8	0	1	7	67%
	8	0	1	7	67%
	8	0	1	7	67%
Violoncello	11	0	2	8	59%

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

Jesu Hail! O God most holy, by John Stainer.

SDG

2:40	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		17	0	4	4	100%
		15	0	3	4	100%

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir	14	0	1	6	66%
Tenor/Bass	17	0	1	6	66%
Organ	16	31	1	5	63%
Pedal	12	0	0	6	54%
Bassoon	12	1	0	5	44%
Soprano	10	0	1	6	22%
Tenor	10	0	1	6	22%

ShermetevNinye

SDG

3:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.

SDG

5:01	Est. Play Time
85	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia	21	6	6	100%
Continuo	22	7	3	99%
Soprano	19	7	3	59%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe di caccia	21	6	6	100%
Continuo	22	7	3	99%
Soprano	19	7	3	59%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	0	4	8	100%
Alto	14	0	4	8	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore	14	4	8	100%
Alto	14	4	8	98%
Soprano	16	3	8	98%
Basso	17	5	6	81%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Salve Regina, Josef Rheinberger, WoO 54 Nr. 1

SDG

3:00	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	7	7	100%
Basso	22	0	9	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	7	7	100%
Basso	22	9	7	100%
Soprano	17	6	8	100%
Tenore	15	6	7	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.

SDG

3:20	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

Wachet auf, ruft uns die Stimme, BWV 645.

SDG

3:57	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	21	7	7	100%
Pedal	21	6	3	99%
Violoncello	10	0	9	48%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim

SDG

2:17	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		19	0	2	8	90%
Soprano/Alto		17	0	5	7	90%